013 Audio Collections
http://hdl.handle.net/123456789/279
Audio from a variety of sources. Unfortunately, these are not exhaustive. If you are looking for something that is not listed, please contact us.2017-02-28T09:15:11ZMuhammad Ali at Logan Hall, Tuskegee Institute
http://hdl.handle.net/123456789/965
Muhammad Ali at Logan Hall, Tuskegee Institute
McWilliams, Jared; Johnson, Charles
On November 23, 1966, the Tuskegee Institute SGA brought the Heavyweight Champ of the World Muhammad Ali, as part of his college speaking tour, to Tuskegee to talk to the students before the Cramton Bowl Classic. Before Muhammad Ali spoke, Tuskegee’s Coach Leroy Smith took the stage to discuss the next day’s rivalry game versus Alabama State University. Ali would then go on to discuss his life since defeating Cleveland Williams in the Astrodome, his conversion to the Nation of Islam, and his decision to change his name from Cassius Clay to Muhammad Ali. Ali then discussed his views on the efforts of the major Civil Rights leaders and their movement to seek equality. Minister John Shabazz, of Los Angeles, travelled with Ali on this college tour. Ali brought Shabazz on stage to talk about the “Standards of Greatness” in the Nation of Islam and the teachings of the Honorable Elijah Muhammad. Ali ends the talk by reciting a poem about his fight against Terrell, discussing the “Phantom Punch” in the Liston fight, and showing off the “Ali Shuffle.” This event was recorded on a 7-inch reel-to-reel and digitized by the Tuskegee University Archives.
On November 23, 1966, the Tuskegee Institute SGA brought the Heavyweight Champ of the World Muhammad Ali, as part of his college speaking tour, to Tuskegee to talk to the students before the Cramton Bowl Classic. Before Muhammad Ali spoke, Tuskegee’s Coach Leroy Smith took the stage to discuss the next day’s rivalry game versus Alabama State University. Ali would then go on to discuss his life since defeating Cleveland Williams in the Astrodome, his conversion to the Nation of Islam, and his decision to change his name from Cassius Clay to Muhammad Ali. Ali then discussed his views on the efforts of the major Civil Rights leaders and their movement to seek equality. Minister John Shabazz, of Los Angeles, travelled with Ali on this college tour. Ali brought Shabazz on stage to talk about the “Standards of Greatness” in the Nation of Islam and the teachings of the Honorable Elijah Muhammad. Ali ends the talk by reciting a poem about his fight against Terrell, discussing the “Phantom Punch” in the Liston fight, and showing off the “Ali Shuffle.” This event was recorded on a 7-inch reel-to-reel and digitized by the Tuskegee University Archives.
1966-11-23T00:00:00ZHave Your Chill, I'll Be Here When Your Fever Rises - Coot Grant and "Kid" Wesley Wilson 12317 B
http://hdl.handle.net/123456789/960
Have Your Chill, I'll Be Here When Your Fever Rises - Coot Grant and "Kid" Wesley Wilson 12317 B
McWilliams, Jared
Vocal Duet accompanied by Fletcher Henderson's Orchestra. Coot Grant and "Kid" Wesley Wilson were a wife and husband duet group that were popular throughout the 1920s and 1930s performing blues and jazz music. The couple also performed in vaudeville, musical comedies, revues, and traveling shows. Together they wrote more than 400 songs during their working lifetime. Uploaded by Jared McWilliams January 2017.
Digitized from a 10" Paramount Records Bakelite audio disc, 78RPM, Side B labeled Have Your Chill, I'll Be Here When Your Fever Rises by Coot Grant and "Kid" Wesley Wilson, found in a box with other miscellaneous bakelite albums. Coot Grant and "Kid" Wesley Wilson accompanied by Fletcher Henderson's Orchestra.
1923-01-01T00:00:00ZCome On Coot Do That Thing - Coot Grant and "Kid" Wesley Wilson 12317 A
http://hdl.handle.net/123456789/959
Come On Coot Do That Thing - Coot Grant and "Kid" Wesley Wilson 12317 A
McWilliams, Jared
Vocal Duet accompanied by Fletcher Henderson's Orchestra. Coot Grant and "Kid" Wesley Wilson were a wife and husband duet group that were popular throughout the 1920s and 1930s performing blues and jazz music. The couple also performed in vaudeville, musical comedies, revues, and traveling shows. Together they wrote more than 400 songs during their working lifetime. Uploaded by Jared McWilliams January 2017.
Digitized from a 10" Paramount Records Bakelite audio disc, 78RPM, Side A labeled Come On Coot Do That Thing by Coot Grant and "Kid" Wesley Wilson, found in a box with other miscellaneous bakelite albums. Coot Grant and "Kid" Wesley Wilson accompanied by Fletcher Henderson's Orchestra.
1923-01-01T00:00:00ZHeaven Song and Inchin' Along - Tuskegee Institute Singers 18075-B
http://hdl.handle.net/123456789/946
Heaven Song and Inchin' Along - Tuskegee Institute Singers 18075-B
McWilliams, Jared; Johnson, Charles
Double Male Quartet (unaccompanied) performance of "The Old Time Religion," recorded by the Tuskegee Institute Singers during the 1915-1916 recording sessions. William P. Smith (Baritone vocal); Alfred Taylor, William Wiley (Bass vocal); Leroy Brown, Charles Edward Clayton, Alvin J. Neely, William J. Williams (Tenor vocal).
Digitized from 10" Victor Records Bakelite audio disc, 78RPM, Side B, labeled Tuskegee Institute Singers 18075-B, found in Coral Records sleeve with note attached reading "1929." The Tuskegee Institute Singers grew out of the Tuskegee Institute Chapel Choir, first organized by Booker T. Washington. The Singers were reorganized in 1909 and toured performing spirituals, recording multiple sessions for Victor Records in 1915-1916 and 1926-1927.
0016-08-08T00:00:00Z